Warhol e l’archeologia digitale: una mostra alla Deodato Arte Gallery di Milano

Presentazione Amiga 1000_1985_Andy Warhol_Debbie Harry

Il 24 aprile 2014 l’Andy Warhol Museum annunciava al mondo il ritrovamento di 41 floppy disk nell’archivio di Warhol. I files di quei supporti ormai obsoleti sono stati estratti da una équipe di tecnici del Computer Club dell’università Carnegie Mellon, supervisionata dall’artista Cory Arcangel, da sempre interessato alla dialettica arte/tecnologia. Nel 1985 Warhol fu invitato …Continue reading »

AGITPROP Film Festival: our CAMIRA people in Philippines

CAMIRA at AGITPROP Film Festival

(L-R) Rose Roque, Adrian Mendizabal and Paul Grant CAMIRA-Philippines is co-presenting two Joshua Oppenheimer films (The Act of Killing and The Look of Silence) with 2nd AGITPROP Film Festival! This is our first event ever and is spearheaded by the indubitable Rose Roque. CAMIRA-Philippines is representing Cinema and Moving Image Research Assembly – CAMIRA here …Continue reading »

Curtocircuito 2015, Santiago de Compostela. CUATRO TÍTULOS Y UNA CONCLUSIÓN OPTIMISTA

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La impresión de una guerra, de Camilo Restrepo, es un interesantísimo ensayo fílmico donde el autor rastrea, a través de huellas de imágenes, la verdad del conflicto armado colombiano, tan desvirtuado que ya no es posible comprender su alcance, quién forma parte de él o de qué manera. Arranca con una ampliadora fotográfica que, como …Continue reading »

AgX: A new film lab and collective is launching in Boston

AgX, a new artist-run film lab and collective, is opening its doors to filmmakers, photographers and interdisciplinary artists who are interested in creating, appreciating and reimagining analog image making and photochemical processes. On November 7 during Waltham Mills Open Studios, AgX is launching an Indiegogo campaign to raise $10,000 in order to finish construction on …Continue reading »

Qué llora un plano. A propósito de Jonathan Perel

El jurado Camira de la edición 2015 de FIDMarseille, jurado en el que participaba el autor de estas líneas, decidió, tras debatir en profundas deliberaciones, premiar a Toponimia de Jonathan Perel. Decisión doblemente motivada, por el resplandor de un trabajo sin igual, seductor por su ascetismo ; y por el deseo de celebrar una obra en que la …Continue reading »

No Salvation in Prophecy

Consciously conducting a transformation of one’s style can be a tricky and risky business for any artist, and an audacious one too. Recently in competition at the 72nd Venice Film Festival, Behemoth, directed by Chinese documentary filmmaker Zhao Liang, is a performance of such. The film borrows from the dream method and architecture of Dante’s …Continue reading »

Liquid Times, Fluid Architecture

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CAMIRA member Andrea Franco proposed a small program for the Arquiteturas Film Festival Lisboa (1- 4 October 2015) which was screening in loop at the festival’s mezzanine, at one of the videostations installed at Cinema Alvalade. The program represents redfundamentos, a platform gathering projects of architecture and urbanism within a big network of schools and …Continue reading »

Jonathan Perel – Que pleure un plan

Le jury Camira de l’édition 2015 du FIDMarseille, jury auquel participait l’auteur de ces lignes, avait choisi, après moult délibérations tiraillées, de primer Toponimia de Jonathan Perel. Choix doublement motivé, par l’éclat d’un travail sans pareil, séduisant par son ascèse même, et par le désir de célébrer une œuvre dont la recherche nous semblait s’accorder …Continue reading »