Correspondence N.1: On the Epistemology of Arrival, Lav Diaz, Argentina x Brazil


 Black God, White Devil (Glauber Rocha / Brazil / 1964) July 24, 2017 Dearest Raju and Fernando, Greetings from the Land of Engkantos! How are things there in Argentina and in Brazil? Before I begin and before any proper inauguration, I would like to enact an incision: that this letter be subdivided into several reflection …Continue reading »

MILLA, de Valérie Massadian (2017) – Premio CAMIRA al Mejor Largometraje en Entrevues Belfort, Festival du Film

En algún lugar del bosque, ocultos entre el sonido de los pájaros y el caudal de un río cercano, Milla y Leo duermen plácidamente en el interior de un coche. Desde fuera, al otro lado de los cristales empañados, parecen envueltos por una película suave que los protege del exterior. La escena tiene todo el …Continue reading »

Utopies et hétérotopies de l’espace cinématographique. Retour sur la 32e édition d’Entrevues Belfort


  (Festival International du Film, 25 novembre – 03 décembre 2017)    Tu voyais que la vie toute entière est comprise dans le cercle ; et qu’on revient toujours, d’une façon ou d’une autre, aux lieux où l’on est déjà passé  Joseph Boyden, Le chemin des âmes (2006)               En cette fin d’automne aux allures …Continue reading »


cap spartel

      The Moroccan association of images and medias is organising the fifth film festival of Cap Spartel in Tangier under the name of Khalid Michbal. The topic of this term will be about Identities and minorities. The festival will be held between 4th – 7th April 2018. This year, Cap Spartel International film …Continue reading »


toni godard 1

  Cinema is obviously cited in Godardian films, from the first famous feature-length, À bout de souffle (1960), to the latest, Adieu au langage (2014), not to mention Histoire (s) du cinéma (1988-1998). But, in the case of Godard, this is a “poetics of quotation” (Derrida), not a simple tribute to some directors. The “pieces” subtracted, extracted, and then embedded – …Continue reading »

“Ventos de Rio” (“Winds from Rio”)
. Works of Brazilian Artists Katia Maciel and André Parente. Curated by Raju Roychowdhury

With the advent of new technologies, there are clearly more and more artists who are experimenting with the emergent possibilities. TENT is relatively a new open-space in Calcutta, the city of joy, that came into being in December 2012 and since then is calling out to artists willing to plunge into this new prospect and …Continue reading »

O Cinema Não Morreu: Crítica e Cinefilia À PALA DE WALSH


Apresentação no Porto do livro O Cinema Não Morreu: Crítica e Cinefilia À pala de Walsh do colectivo À pala de Walsh na Livraria Flâneur (na Rua de Fernandes Costa 88), no dia 13 de Janeiro (sábado), às 17h00. Esta apresentação contará com a participação dos walshianos David Pinho Barros, Francisco Noronha e João Araújo. Mais informações aqui.  


auction composite 3 small MERGED CROPPED copy 2

Automata is a non-profit organization located at 504 Chung King Court in the Chinatown District of Los Angeles. We are dedicated to the creation, incubation, and presentation of experimental puppet theater, experimental film, and other contemporary art practices centered on ideas of artifice and performing objects. Automata stands at the fulcrum points between objects and performance, artifacts …Continue reading »